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The Complete Sony Recordings III
album by 
Nikolaus Harnoncourt
released in 2016
Disc 41
1.
Das Paradies und die Peri, op. 50: Part I. No. 1 “Vor Edens Tor im Morgen prangen” (alto) Robert Schumann
03:12
+
2.
Das Paradies und die Peri, op. 50: Part I. No. 2 “Wie glücklich sie wanderln” (Peri) Robert Schumann
02:43
+
3.
Das Paradies und die Peri, op. 50: Part I. No. 3 “Der hehre Engel, der die Pforte” (tenor, Angel) Robert Schumann
01:58
+
4.
Das Paradies und die Peri, op. 50: Part I. No. 4 “Wo find ich sie?” (Peri) Robert Schumann
02:38
+
5.
Das Paradies und die Peri, op. 50: Part I. No. 5 “So sann sie nach” (tenor) / “O süßes Land!” (quartet) Robert Schumann
01:24
+
6.
Das Paradies und die Peri, op. 50: Part I. No. 6 “Doch seine Ströme sind jetzt rot” (chorus) Robert Schumann
03:24
+
7.
Das Paradies und die Peri, op. 50: Part I. No. 7 “Und einsam steht ein Jüngling noch” Robert Schumann
02:52
+
8.
Das Paradies und die Peri, op. 50: Part I. No. 8 “Weh, weh, weh, er fehlte das Ziel” (chorus) Robert Schumann
02:12
+
9.
Das Paradies und die Peri, op. 50: Part I. No. 9 “Die Peri sah das Mal der Wunde” (tenor, Peri, quartet, chorus) Robert Schumann
06:41
+
10.
Das Paradies und die Peri, op. 50: Part II. No. 10 “Die Peri tritt mit schüchterner Gebärde” (tenor, Angel) Robert Schumann
03:16
+
11.
Das Paradies und die Peri, op. 50: Part II. No. 11 “Ihn erstes Himmelshoffen schwand” (tenor, chorus, Peri) Robert Schumann
03:49
+
12.
Das Paradies und die Peri, op. 50: Part II. No. 12 “Fort streift von hier das Kind der Lüfte” (tenor, Peri) Robert Schumann
03:30
+
13.
Das Paradies und die Peri, op. 50: Part II. No. 13 “Die Peri weint, von ihrer Tränen scheint” (tenor, quartet) Robert Schumann
02:42
+
14.
Das Paradies und die Peri, op. 50: Part II. No. 14 “Im Waldesgrün am stillen See” (alto, Young Man) Robert Schumann
03:02
+
15.
Das Paradies und die Peri, op. 50: Part II. No. 15 “Verlassener Jüngling, nur das eine” (mezzo-soprano, tenor, Young Man) Robert Schumann
04:35
+
16.
Das Paradies und die Peri, op. 50: Part II. No. 16 “O lass mich von der Luft durchdringen” (Maiden, tenor) Robert Schumann
04:51
+
17.
Das Paradies und die Peri, op. 50: Part II. No. 17 “Schlaf nunn und ruhe in Träumen voll Duft” (Peri, chorus) Robert Schumann
03:48
+
Disc 42
1.
Das Paradies und die Peri, op. 50: Part III. No. 18 “Schmücket die Stufen zu Allahs Thron” (chorus, soloists, soprano) Robert Schumann
03:09
+
2.
Das Paradies und die Peri, op. 50: Part III. No. 19 “Dem Sang von ferne lauschend” (tenor, Angel) Robert Schumann
03:03
+
3.
Das Paradies und die Peri, op. 50: Part III. No. 20 “Verstoßen! Verschlossen aufs Neu das Goldportal!” (Peri) Robert Schumann
04:26
+
4.
Das Paradies und die Peri, op. 50: Part III. No. 21 “Jetzt sank des Abends goldner Schein” (baritone) Robert Schumann
04:25
+
5.
Das Paradies und die Peri, op. 50: Part III. No. 22 “Und wie sie niederwärts sich schwingt” (tenor, quartet, baritone) Robert Schumann
03:59
+
6.
Das Paradies und die Peri, op. 50: Part III. No. 23 “Hinab zu jenem Sonnentempel!” (Peri, tenor, mezzo-soprano, Man) Robert Schumann
06:53
+
7.
Das Paradies und die Peri, op. 50: Part III. No. 24 “O heil'ge Tränen inn'ger Reue” (quartet, chorus) Robert Schumann
04:11
+
8.
Das Paradies und die Peri, op. 50: Part III. No. 25 “Es fällt ein Tropfen aufs Land” (Peri, tenor, chorus) Robert Schumann
07:19
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9.
Das Paradies und die Peri, op. 50: Part III. No. 26 “Freud', ew'ge Freude, main Werk ist getan!” (Peri, chorus) Robert Schumann
06:54
+
Disc 43
1.
Messa da Requiem: I. Requiem & Kyrie (chorus, soloists) Giuseppe Verdi
08:36
+
2.
Messa da Requiem: II. Sequence: Dies irae: “Dies irae” (chorus) Giuseppe Verdi
02:33
+
3.
Messa da Requiem: II. Sequence: Dies irae: “Tuba mirum” (chorus, bass) Giuseppe Verdi
03:32
+
4.
Messa da Requiem: II. Sequence: Dies irae: “Liber scriptus” (mezzo-soprano, chorus) Giuseppe Verdi
05:19
+
5.
Messa da Requiem: II. Sequence: Dies irae: “Quid sum miser” (soprano, mezzo-soprano, tenor) Giuseppe Verdi
03:51
+
6.
Messa da Requiem: II. Sequence: Dies irae: “Rex tremendae” (chorus, soloists) Giuseppe Verdi
03:37
+
7.
Messa da Requiem: II. Sequence: Dies irae: “Recordare” (soprano, mezzo-soprano) Giuseppe Verdi
04:17
+
8.
Messa da Requiem: II. Sequence: Dies irae: “Ingemisco” (tenor) Giuseppe Verdi
03:42
+
9.
Messa da Requiem: II. Sequence: Dies irae: “Confutatis” (bass, chorus) Giuseppe Verdi
05:56
+
10.
Messa da Requiem: II. Sequence: Dies irae: “Lacrymosa” (soloists, chorus) Giuseppe Verdi
05:45
+
Disc 44
1.
Messa da Requiem: III. Offertorio: “Domine Jesu” (soloists) Giuseppe Verdi
04:52
+
2.
Messa da Requiem: III. Offertorio: “Hostias” (soloists) Giuseppe Verdi
05:58
+
3.
Messa da Requiem: IV. Sanctus (chorus) Giuseppe Verdi
03:01
+
4.
Messa da Requiem: V. Agnus Dei (soprano, mezzo-soprano, chorus) Giuseppe Verdi
04:55
+
5.
Messa da Requiem: VI. Lux Aeterna (mezzo-soprano, tenor, bass) Giuseppe Verdi
06:29
+
6.
Messa da Requiem: VII. Libera me (soprano, chorus) Giuseppe Verdi
02:39
+
7.
Messa da Requiem: VII. Libera me: “Dies irae” (chorus) Giuseppe Verdi
05:40
+
8.
Messa da Requiem: VII. Libera me: “Libera me” (soprano, chorus) Giuseppe Verdi
06:49
+
Disc 45
1.
Symphony no. 5 in B-flat major, WAB 105: I. Introduction. Adagio - Allegro Anton Bruckner
20:34
+
2.
Symphony no. 5 in B-flat major, WAB 105: II. Adagio. Sehr langsam Anton Bruckner
14:57
+
3.
Symphony no. 5 in B-flat major, WAB 105: III. Scherzo. Molto vivace (Schnell) - Trio. Im gleichen Tempo Anton Bruckner
13:35
+
4.
Symphony no. 5 in B-flat major, WAB 105: IV. Finale. Adagio - Allegro moderato Anton Bruckner
23:59
+
Disc 46
1.
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 1-22 “Vor den Sechzehnteln bitte wegfedern!” Anton Bruckner
02:46
+
2.
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 161-224 “Die Synopken so, als würden wir mit Ellenbogen” Anton Bruckner
04:37
+
3.
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 315-319, 325-327, 381-398 “Kann ich einmal nur diesen kleinen, ganz schnellen Holz-Kanon haben?” Anton Bruckner
01:57
+
4.
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 31-38, 107-124 “Gehen wir bitte gleich zum zweiten Satz, und zwar wo er eigentlich anfängtm Takt 31...” Anton Bruckner
04:11
+
5.
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 163-196, 203-211 “Von 169 bis 170, diese Harmoniefolge, die kommt aus dem Mozart-Requiem: 'Qua resurget ex favilla homo reus'...” Anton Bruckner
08:57
+
6.
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 1-18, 39-70 “So, jetzt gehen wir zu dem Anfang von dem Satz...” Anton Bruckner
03:24
+
7.
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 71-84, 101-144, 195-202 “Geben Sie mir bitte einmal nur die Triolen, nur Steicher von 'D'...” Anton Bruckner
04:43
+
8.
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Scherzo, mm. 1-39, 133-187 “Ich hätte gern wirklich so einen magischen Schnelltanz...” Anton Bruckner
06:25
+
9.
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Scherzo, mm. 341-382; Trio, mm. 1-55 “Können Sie ein bisschen so eine oberösterrechische Melancholie hineinbringen?” Anton Bruckner
02:36
+
10.
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Trio, mm. 56-1479; Scherzo da capo, mm. 1-132 “Jetzt spielen Sie bitte wirklich 'Um-Pa'!” Anton Bruckner
06:28
+
11.
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 1-22, 29-36, 67-82 “Es muss die Eins immer sehr energisch sein und die Zwei etwas weniger...” Anton Bruckner
07:00
+
12.
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 83-136, 137-165 “Tutti von 'Etwas mehr langsam'...” Anton Bruckner
05:41
+
13.
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 175-210, 223-231 “Stellen Sie sich zu dem Choral einen Text vor: 'Was Gott tut, das ist wohl getan...'” Anton Bruckner
03:34
+
14.
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 310-340 “Jeder von diesen Einsätzen muss klingen, als, wäre er eine Eins...” Anton Bruckner
02:59
+
15.
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 362-373, 450-499, 500-635 “Schön wäre es, wenn man eine totale Erschöpfung hört auf diesem Des...” Anton Bruckner
09:23
+
Disc 47
1.
Symphony no. 9 in D minor, WAB 109 (unfinished): I. Feierlich, misterioso Anton Bruckner
24:17
+
2.
Symphony no. 9 in D minor, WAB 109 (unfinished): II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo da capo Anton Bruckner
10:39
+
3.
Symphony no. 9 in D minor, WAB 109 (unfinished): III. Adagio. Langsam, feierlich Anton Bruckner
23:55
+
Disc 48
1.
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Warum hat man eigentlich 100 Jahre lang gedacht, es gäbe nichts von diesem 4. Satz?” Anton Bruckner
11:12
+
2.
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 1-278 Anton Bruckner
09:14
+
3.
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Gegen Ende eine extreme Dissonanz in den Trompeten” Anton Bruckner
02:21
+
4.
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Nach dem Ende der Durchfährung folgt eine wilde Fuge” Anton Bruckner
00:51
+
5.
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 279-342 Anton Bruckner
02:25
+
6.
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Quasi ein Schreckensbild des Todes” Anton Bruckner
01:52
+
7.
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 343-478 Anton Bruckner
04:45
+
8.
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Danach fehlen 16 Takte; dazu ist nichts zu erklären; wir spielen einfach nicht” Anton Bruckner
01:48
+
9.
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation T. 479-510 - Lücke / fehlender Partiturbogen - T. 511-526 Anton Bruckner
01:42
+
10.
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Wy did we think for over a hundred years that nothing of this finale existed?” Anton Bruckner
10:51
+
11.
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 1-278 Anton Bruckner
09:15
+
12.
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Extreme dissonances in the trumpets towards the end of the block” Anton Bruckner
02:24
+
13.
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “At the end of the development a wild fugue begins” Anton Bruckner
00:40
+
14.
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 279-342 Anton Bruckner
02:24
+
15.
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “A sudden vision of death” Anton Bruckner
01:46
+
16.
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 343-478 Anton Bruckner
04:43
+
17.
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Then there are sixteen bars missing; we will just leave them out” Anton Bruckner
01:39
+
18.
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation mm. 479-510 - gap/missing score bifolio - mm. 511-526 Anton Bruckner
01:36
+
Disc 49
1.
Má vlast: Vyšehrad. Lento - Largo maestoso - Grandioso poco largamente - Allegro vivo ma non agitato - Lento ma non troppo Bedřich Smetana
15:54
+
2.
Má vlast: Vltava. Allegro comodo non agitato - L'istesso temp ma moderato - L'istesso tempo - Tempo I - Più moto Bedřich Smetana
12:54
+
3.
Má vlast: Šárka. Allegro con fuoco ma non agitato - Più moderato assai - Moderato ma con calore - Moderato - Molto vivo - Più vivo Bedřich Smetana
10:41
+
Disc 50
1.
Má vlast: Zčesk ých luhů a hájů. Molto moderato - Allegro poco vivo, ma non troppo - Allegro (Quasi Polka) - Tempo I - Allegro - Presto Bedřich Smetana
13:52
+
2.
Má vlast: Tábor. Lento - Grandioso - Molto vivace - Lento - Molto vivace - Lento maestoso - Più animato Bedřich Smetana
14:24
+
3.
Má vlast: Blanik. Allegro moderato - Andante non troppo - Più allegro ma non molto - Tempo di marcia - Grandioso - Tempo I - Largamente maestoso - Grandioso, meno Allegro - Vivace Bedřich Smetana
15:27
+
Disc 51
1.
Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen”. Ziemlich langsam und mit Ausdruck (chorus) Johannes Brahms
09:58
+
2.
Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras”. Langsam, marschmäßig (chorus) Johannes Brahms
16:02
+
3.
Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich, dass ein Ende mit mir haben muss”. Andante bewegt (baritone, chorus) Johannes Brahms
10:47
+
4.
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen”. Mäßig bewegt (chorus) Johannes Brahms
05:54
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5.
Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit”. Langsam (soprano, chorus) Johannes Brahms
07:00
+
6.
Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt”. Andante - Allegro (baritone, chorus) Johannes Brahms
12:35
+
7.
Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben”. Feierlich (chorus) Johannes Brahms
09:45
+
Disc 52
1.
Stabat Mater, op. 58: No. 1 Quartet & Chorus: “Stabat Mater dolorosa”. Andante con moto Antonín Dvořák
20:38
+
2.
Stabat Mater, op. 58: No. 2 Quartet: “Quis est homo qui non fieret”. Andante sostenuto Antonín Dvořák
11:35
+
3.
Stabat Mater, op. 58: No. 3 Chorus: “Eia, Mater, fons, amoris”. Andante con moto Antonín Dvořák
07:11
+
4.
Stabat Mater, op. 58: No. 4 Bass & Chorus: “Fac ut ardeat cor meum”. Largo Antonín Dvořák
09:14
+
Disc 53
1.
Stabat Mater, op. 58: No. 5 Chorus: “Tui nati vulnerati”. Andante con moto, quasi allegretto Antonín Dvořák
05:14
+
2.
Stabat Mater, op. 58: No. 6 Tenor & Chorus: “Fac me vere tecum flere”. Andante con moto Antonín Dvořák
06:58
+
3.
Stabat Mater, op. 58: No. 7 Chorus: “Virgo virginum praeclara”. Largo Antonín Dvořák
06:50
+
4.
Stabat Mater, op. 58: No. 8 Soprano & Tenor Duet: “Fac ut portem Christi mortem”. Larghetto Antonín Dvořák
05:26
+
5.
Stabat Mater, op. 58: No. 9 Alto: “Inflammatus et accesnsus”. Andante maestoso Antonín Dvořák
06:09
+
6.
Stabat Mater, op. 58: No. 10 Quartet & Chorus: “Quando corpus morietur”. Andante con moto Antonín Dvořák
07:39
+
Disc 54
1.
Music for Strings, Percussion and Celesta, Sz 106: I. Andante tranquillo Béla Bartók
09:09
+
2.
Music for Strings, Percussion and Celesta, Sz 106: II. Allegro Béla Bartók
07:49
+
3.
Music for Strings, Percussion and Celesta, Sz 106: III. Adagio Béla Bartók
08:05
+
4.
Music for Strings, Percussion and Celesta, Sz 106: IV. Allegro molto Béla Bartók
08:07
+
5.
Divertimento for String Orchestra, Sz 113: I. Allegro non troppo Béla Bartók
09:16
+
6.
Divertimento for String Orchestra, Sz 113: II. Molto adagio Béla Bartók
10:11
+
7.
Divertimento for String Orchestra, Sz 113: III. Allegro assai Béla Bartók
07:52
+
Disc 55
1.
Porgy & Bess: Act I, Scene 1. Introduction George Gershwin
01:45
+
2.
Porgy & Bess: Act I, Scene 1. “Summertime and the livin' is easy” (Clara) George Gershwin
02:14
+
3.
Porgy & Bess: Act I, Scene 1. “Seems like these bones don't give me nothin' but boxcars tonight” (Jake, Sportin' Life, Mingo, Serena, Robbins, chorus, Jim, Clara, crap shooters) George Gershwin
04:28
+
4.
Porgy & Bess: Act I, Scene 1. “Lissen to yo' daddy warn you” - “Oh, a woman is a sometime thing” (Jake, Mingo, Sportin' Life, chorus, Peter, Lily, Maria) George Gershwin
03:04
+
5.
Porgy & Bess: Act I, Scene 1. “Here's the ol' crap shark!” ... “No, no, brudder” (Jake, Mingo, Porgy, Sportin' Life, Robbins, Jim, Maria, Serena) George Gershwin
04:31
+
6.
Porgy & Bess: Act I, Scene 1. “Here comes the Big Boy!” (Mingo, Jake, Jim, Crown, Sportin' Life, Serena, Bess, Robbins, Porgy, chorus) George Gershwin
04:53
+
7.
Porgy & Bess: Act I, Scene 1. “Six to make!” (Sportin' Life, Jim, Mingo, Jake, Porgy, Crown, Robbins, Maria, Serena, Bess, chorus) George Gershwin
04:00
+
8.
Porgy & Bess: Act I, Scene 1. “Jesus, he's killed him!” ... “That you, Sportin' Life?” (Mingo, Bess, Crown, Sportin' Life, Maria) George Gershwin
05:03
+
9.
Porgy & Bess: Act I, Scene 2. “Where is brudder Robbins?” (woman, chorus, Man, Serena, Maria, Bess) George Gershwin
03:38
+
10.
Porgy & Bess: Act I, Scene 2. “Come on, sister” ... “Overflow, overflow” (soprano, chorus, Jake, Peter, Serena, Maria, Porgy, Clara) George Gershwin
03:17
+
11.
Porgy & Bess: Act I, Scene 2. “Um! A saucer-buryin' set-up, I see” (detective, Serena, Jake, Porgy, chorus) George Gershwin
03:43
+
12.
Porgy & Bess: Act I, Scene 2. “My man's gone now” (Serena, chorus) George Gershwin
04:16
+
13.
Porgy & Bess: Act I, Scene 2. “How de saucer stan' now, my sister?” (undertaker, Serena, Jake, Porgy, chorus) George Gershwin
02:06
+
14.
Porgy & Bess: Act I, Scene 2. “Oh, the train is at the station” (Bess, chorus) George Gershwin
03:07
+
15.
Porgy & Bess: Act II, Scene 1. “Oh, I'm a-goin' out to the Blackfish banks” (Jake, chorus) George Gershwin
03:37
+
16.
Porgy & Bess: Act II, Scene 1. “Mus' be you mens forgot about de picnic” - “Oh, I got plenty o' nuttin'” (Annie, Jake, Clara, Porgy, chorus, Serena, Maria) George Gershwin
02:13
+
17.
Porgy & Bess: Act II, Scene 1. “I got plenty o' nuttin'” (Porgy, chorus) George Gershwin
01:18
+
18.
Porgy & Bess: Act II, Scene 1. “Listen there what I tells you” (Maria, Serena, Sportin' Life) George Gershwin
01:23
+
19.
Porgy & Bess: Act II, Scene 1. “I hates yo' struttin' style” (Maria) George Gershwin
01:17
+
20.
Porgy & Bess: Act II, Scene 1. “Mornin', Lawyer, lookin' for somebody?” (Maria, Frazier, Porgy, Bess, chorus, Lily, Man, Scipio, Annie, Serena) George Gershwin
05:22
+
21.
Porgy & Bess: Act II, Scene 1. “Boy! Come here, boy!” (Archdale, Scipio, Clara, Serena, Mingo, Jake, Porgy, chorus) George Gershwin
02:51
+
22.
Porgy & Bess: Act II, Scene 1. “Buzzard keep on flyin' over” (Porgy, chorus) George Gershwin
03:22
+
Disc 56
1.
Porgy & Bess: Act II, Scene 1. “Lo, Bess, goin' to de picnic?” (Sportin' Life, Bess, Porgy) George Gershwin
03:17
+
2.
Porgy & Bess: Act II, Scene 1. “Honey, we sure goin' strut our stuff today!” (Jake, Porgy, Bess) George Gershwin
00:43
+
3.
Porgy & Bess: Act II, Scene 1. “Bess, you is my woman now” (Porgy, Bess) George Gershwin
05:09
+
4.
Porgy & Bess: Act II, Scene 1. “Oh, I can't sit down” (chorus, Maria, Bess, Porgy) George Gershwin
04:12
+
5.
Porgy & Bess: Act II, Scene 2. “I ain't got no shame doin' what I like to do” (chorus) George Gershwin
03:08
+
6.
Porgy & Bess: Act II, Scene 2. “It ain't necessarily so” (Sportin' Life, chorus) George Gershwin
04:29
+
7.
Porgy & Bess: Act II, Scene 2. “Shame on all you sinners” (Serena, Maria) George Gershwin
01:53
+
8.
Porgy & Bess: Act II, Scene 2. “Crown!” ... “You know very well dis Crown!” (Bess, Crown) George Gershwin
03:23
+
9.
Porgy & Bess: Act II, Scene 2. “Oh, what you want wid Bess?” (Bess, Crown) George Gershwin
04:03
+
10.
Porgy & Bess: Act II, Scene 3. “Honey, dat's all de breakfast I got time for” (Jake, Nelson, Jim, Maria, chorus) George Gershwin
02:53
+
11.
Porgy & Bess: Act II, Scene 3. “Well, if it ain' ole Peter!” (Maria, Peter, Bess, Porgy, Serena) George Gershwin
02:24
+
12.
Porgy & Bess: Act II, Scene 3. “Oh Doctor Jesus” (Serena, Porgy, Peter, Lily) George Gershwin
02:32
+
13.
Porgy & Bess: Act II, Scene 3. “Oh, dey's so fresh an' fine” (strawberry woman) George Gershwin
01:11
+
14.
Porgy & Bess: Act II, Scene 3. “I'm talkin' about devil crabs” (crab man, Porgy, Maria) George Gershwin
02:27
+
15.
Porgy & Bess: Act II, Scene 3. “Porgy, Porgy, dat you there, ain' it?” (Bess, Porgy) George Gershwin
03:03
+
16.
Porgy & Bess: Act II, Scene 3. “If dere warn't no Crown, Bess” (Porgy, Bess) George Gershwin
02:37
+
17.
Porgy & Bess: Act II, Scene 3. “Why you been out on that wharf so long, Clara?” (Maria, Clara) George Gershwin
01:40
+
18.
Porgy & Bess: Act II, Scene 4. “Oh, de Lawd shake de Heavens an' de Lawd rock de groun'” (chorus, man, woman, Porgy, Clara, Serena, Sportin' Life) George Gershwin
02:34
+
19.
Porgy & Bess: Act II, Scene 4. “One of dese mornin's you goin' to rise up singin'” (Clara, chorus) George Gershwin
01:10
+
20.
Porgy & Bess: Act II, Scene 4. “Oh, dere's somebody knockin' at de do'” (chorus, Peter, Lily, Mingo, Maria, Bess) George Gershwin
01:30
+
21.
Porgy & Bess: Act II, Scene 4. “You is a nice parcel of Christians” (Crown, Serena, Bess, Porgy, woman, chorus) George Gershwin
04:05
+
22.
Porgy & Bess: Act II, Scene 4. “A red-headed woman make a choo-choo jump its track” (Crown, chorus) George Gershwin
01:35
+
23.
Porgy & Bess: Act II, Scene 4. “Jake's boat in de river upside down!” (Bess, Clara, Crown) George Gershwin
01:01
+
24.
Porgy & Bess: Act II, Scene 4. “All right, I'm goin' out to get Clara” ... “Oh Doctor Jesus” (Crown, Porgy, all) George Gershwin
02:18
+
Disc 57
1.
Porgy & Bess: Act III, Scene 1. “Clara, Clara, don't you be downhearted” ... “You low-life skunk, ain' you got no shame” (chorus, Sportin' Life, Maria) George Gershwin
06:23
+
2.
Porgy & Bess: Act III, Scene 1. “Summertime an' the livin' is easy” (Bess, Porgy) George Gershwin
03:48
+
3.
Porgy & Bess: Act III, Scene 2. “Wait for us at the corner, Al” (detective, Annie, Serena, other woman, coroner, 3 women, Porgy, policeman) George Gershwin
05:01
+
4.
Porgy & Bess: Act III, Scene 2. “Oh Gawd! They goin' make him look on Crown's face!” (Bess, Sportin' Life) George Gershwin
02:09
+
5.
Porgy & Bess: Act III, Scene 2. “There's a boat dat's leavin' soon for New York” (Sportin' Life, Bess) George Gershwin
04:07
+
6.
Porgy & Bess: Act III, Scene 3. Introduction George Gershwin
01:17
+
7.
Porgy & Bess: Act III, Scene 3. Symphony of Noise George Gershwin
04:17
+
8.
Porgy & Bess: Act III, Scene 3. “Good mornin', sistuh!” ... “It's Porgy comin' home” (man, woman, chorus, children, Mingo, Porgy) George Gershwin
02:58
+
9.
Porgy & Bess: Act III, Scene 3. “Dem white folks sure ain' put nuttin' over on this baby” (Porgy, Lily) George Gershwin
02:57
+
10.
Porgy & Bess: Act III, Scene 3. “Here Mingo, what's de matter wid you all?” (Porgy) George Gershwin
01:39
+
11.
Porgy & Bess: Act III, Scene 3. “Maria, Maria, where's Bess?” (Porgy, Maria, Serena) George Gershwin
03:18
+
12.
Porgy & Bess: Act III, Scene 3. “Where Bess gone?” (Porgy, Mingo, Maria, Serena, chorus) George Gershwin
01:46
+
13.
Porgy & Bess: Act III, Scene 3. “Oh Lawd, I'm on my way” (Porgy, chorus) George Gershwin
01:23
+
Disc 58
1.
Kaiser Franz Joseph I. Rettungs-Jubel-Marsch, op. 126 Johann Strauss
03:38
+
2.
Schatz Walzer, op. 418 Johann Strauss
09:00
+
3.
Niko Polka, op. 228 Johann Strauss
04:05
+
4.
Scherz Polka, op. 72 Johann Strauss
03:44
+
5.
Delirien, op. 212 Josef Strauss
10:19
+
6.
Pêle-Mêle Polka, op. 161 Josef Strauss
02:20
+
7.
Aufforderung zum Tanz, op. 65 Carl Maria von Weber
09:44
+
8.
Sekunden Polka, op. 258 Johann Strauss
03:31
+
9.
Hellenen Polka, op. 203 Johann Strauss
02:19
+
Disc 59
1.
Kaiser Walzer, op. 437 Johann Strauss
12:01
+
2.
Bauern Polka, op. 276 Johann Strauss
03:08
+
3.
Lob der Frauen, op. 315 Johann Strauss
04:20
+
4.
Chineser Galopp, op. 20 Johann Strauss
01:51
+
5.
Ungarischer Tanz Nr. 5 g-Moll, WoO 1/5 Johannes Brahms
02:44
+
6.
Ungarischer Tanz Nr. 6 D-Dur, WoO 1/6 Johannes Brahms
03:42
+
7.
Krönungslieder, op. 184 Johann Strauss
09:29
+
8.
Leichtes Blut, op. 319 Johann Strauss
02:42
+
9.
Furioso Polka, op. 260 Johann Strauss
02:33
+
10.
New Year's Address [no artist]
01:05
+
11.
An der schönen blauen Donau, op. 314 Johann Strauss
10:18
+
12.
Radetzky-Marsch, op. 228 Johann Strauss
03:32
+
Disc 60
1.
Kontretanz in D major, K 603/1 Wolfgang Amadeus Mozart
01:09
+
2.
Kontretanz in C major, K 609/1 Wolfgang Amadeus Mozart
01:14
+
3.
Kontretanz in C major, K 609/4 Wolfgang Amadeus Mozart
02:05
+
4.
6 deutsche Tänze, K 571: No. 1 in D major Wolfgang Amadeus Mozart
01:29
+
5.
6 deutsche Tänze, K 571: No. 2 in A minor Wolfgang Amadeus Mozart
01:23
+
6.
6 deutsche Tänze, K 571: No. 3 in C major Wolfgang Amadeus Mozart
01:35
+
7.
6 deutsche Tänze, K 571: No. 4 in G major Wolfgang Amadeus Mozart
01:41
+
8.
6 deutsche Tänze, K 571: No. 5 in B-flat major Wolfgang Amadeus Mozart
01:32
+
9.
6 deutsche Tänze, K 571: No. 6 in D major Wolfgang Amadeus Mozart
03:06
+
10.
Radetzky-Marsch, op. 228 (original version) Johann Strauss
03:37
+
11.
Kettenbrücke-Walzer, op. 4 Johann Strauss
06:43
+
12.
Schäfer-Quadrille, op. 217 Johann Strauss
05:49
+
13.
Der Karneval in Paris, op. 100 (Walzer) Johann Strauss
02:33
+
14.
Walzer à la Paganini, op. 11 Johann Strauss
07:56
+
Disc 61
1.
Pas de neuf, WoO (after Saverio Mercadante) Josef Lanner
14:23
+
2.
Sehnsuchts-Mazur, op. 89 Josef Lanner
09:05
+
3.
Hans-Jörgel-Polka, op. 194 Josef Lanner
03:44
+
4.
Malapou-Galopp, op. 148a Josef Lanner
01:25
+
5.
Hexen-Tanz, op. 203 (Walzer) Josef Lanner
09:36
+
6.
March from the Ballet Corso Donati Josef Lanner
04:14
+
7.
Cerrito-Polka, op. 189 Josef Lanner
03:57
+
8.
Jägers Lust, op. 82 (Jagd-Galopp) Josef Lanner
02:39
+
9.
Die Schönbrunner, op. 200 (Walzer) Josef Lanner
09:08
+
Disc 62
1.
Die Zauberflöte, K 620: Opening Credits Wolfgang Amadeus Mozart
00:59
+
2.
Die Zauberflöte, K 620: Overture Wolfgang Amadeus Mozart
06:16
+
3.
Die Zauberflöte, K 620: Act I. No. 1 Introduction: “Zu Hilfe! Zu Hilfe!” (Tamino, 3 Ladies) Wolfgang Amadeus Mozart
07:04
+
4.
Die Zauberflöte, K 620: Act I. No. 1 Dialogue: “Wo bin ich!” (Tamino) / No. 2 Aria: “Der Vogelfänger bin ich ja” (Papageno) Wolfgang Amadeus Mozart
03:18
+
5.
Die Zauberflöte, K 620: Act I. No. 2 Dialogue: “He da!” - “Was da!” (Tamino, Papageno, 3 Ladies) Wolfgang Amadeus Mozart
05:49
+
6.
Die Zauberflöte, K 620: Act I. No. 3 Aria: “Dies Bildnis ist bezaubernd schön” (Tamino) / Dialogue: “Rüste dich mit Mut und Standhaftigkeit” (3 Ladies, Tamino) Wolfgang Amadeus Mozart
05:45
+
7.
Die Zauberflöte, K 620: Act I. No. 4 Recitative & Aria: “O zittre nicht, mein lieber Sohn!” (Queen of the Night) Wolfgang Amadeus Mozart
04:55
+
8.
Die Zauberflöte, K 620: Act I. No. 4 Dialogue: “Ist es denn auch Wirklichkeit, was ich sah” (Tamino) / No. 5 Quintet: “Hm! Hm! Hm! Hm!” (Papagenom Tamino, 3 Ladies) Wolfgang Amadeus Mozart
07:18
+
9.
Die Zauberflöte, K 620: Act I. No. 5 Dialogue: “Was soll denn das Lachen?” (slaves, Manostatos) / No. 6 Trio: “Du feines Täubchen, nur herein!” (Manostatos, Pamina, Papageno) Wolfgang Amadeus Mozart
03:30
+
10.
Die Zauberflöte, K 620: Act I. No. 6 Dialogue: “Mutter! Mutter! Mutter!” (Pamina, Papageno) Wolfgang Amadeus Mozart
05:01
+
11.
Die Zauberflöte, K 620: Act I. No. 7 Duet: “Bein Männern, welche Liebe fühlen” (Pamina, Papageno) Wolfgang Amadeus Mozart
03:53
+
12.
Die Zauberflöte, K 620: Act I. No. 8 Finale: “Zum Ziele führt dich diese Bahn” (3 Boys, Tamino) Wolfgang Amadeus Mozart
01:47
+
13.
Die Zauberflöte, K 620: Act I. No. 8 Finale: “Die Weisheitslehre dieser Knaben” (Tamino, Speaker, chorus) Wolfgang Amadeus Mozart
09:20
+
14.
Die Zauberflöte, K 620: Act I. No. 8 Finale: “Wie stark ist nicht dein Zauberton” (Tamino) Wolfgang Amadeus Mozart
03:17
+
15.
Die Zauberflöte, K 620: Act I. No. 8 Finale: “Schnelle Füße, rascher Mut” (Pamina, Papageno, Manostatos, slaves) Wolfgang Amadeus Mozart
03:39
+
16.
Die Zauberflöte, K 620: Act I. No. 8 Finale: “Es lebe Sarastro, Sarastro lebe!” (chorus, Papageno, Pamina, Sarastro) Wolfgang Amadeus Mozart
04:45
+
17.
Die Zauberflöte, K 620: Act I. No. 8 Finale: “Nun, stolzer Jüngling, nur hieher!” (Manostatos, Pamina, Tamino, Sarastro) Wolfgang Amadeus Mozart
02:16
+
18.
Die Zauberflöte, K 620: Act I. No. 8 Finale: “Wenn Tugend und Gerechtigkeit” (chorus) Wolfgang Amadeus Mozart
01:09
+
Disc 63
1.
Die Zauberflöte, K 620: Act II. No. 9 March of the Priests Wolfgang Amadeus Mozart
02:35
+
2.
Die Zauberflöte, K 620: Act II. No. 9 Dialogue: “Ihr in dem Weisheitstempel eingeweihten Diener” (Sarastro, Priests, Speaker) Wolfgang Amadeus Mozart
04:19
+
3.
Die Zauberflöte, K 620: Act II. No. 10 Aria & Chorus: “O Isis und Osiris” (Sarastro, chorus) Wolfgang Amadeus Mozart
03:23
+
4.
Die Zauberflöte, K 620: Act II. No. 10 Dialogue: “Eine schreckliche Nacht!” (Tamino, Papageno, Speaker, First Priest) / No. 11 Duet: “Bewahret euch vor Weibertücken” (First Priest, Speaker) / No. 11 Dialogue: “He, Lichter her!” (Papageno, Tamino) Wolfgang Amadeus Mozart
05:49
+
6.
Die Zauberflöte, K 620: Act II. No. 12 Dialogue: “Ha, da find' ich ja die spröde Schöne!" (Manostatos) / No. 13 Aria: “Alles fühlt der Liebe Freuden” (Manostatos) / No. 13 Dialogue: “Mutter!” (Pamina, Queen of the Night) Wolfgang Amadeus Mozart
04:55
+
7.
Die Zauberflöte, K 620: Act II. No. 14 Aria: “Der Hölle Rache” (Queen of the Night) / No. 14 Dialogue: “Morden soll ich?” (Pamina, Manostatos, Sarastro) Wolfgang Amadeus Mozart
06:17
+
8.
Die Zauberflöte, K 620: Act II. No. 15 Aria: “In diesen heil'gen Hallen” (Sarastro) / No. 15 Dialogue: “Prinz, lebt wohl!” (Speaker, First Priest, Papageno, Tamino, old woman) Wolfgang Amadeus Mozart
08:08
+
9.
Die Zauberflöte, K 620: Act II. No. 16 Trio: “Seid uns zum zweiten Mal willkommen” (3 Boys) / No. 16 Dialogue: “Tamino, wollen wir nicht speisen?” (Papageno, Pamina) Wolfgang Amadeus Mozart
04:21
+
10.
Die Zauberflöte, K 620: Act II. No. 17 Aria: “Ach, ich fühl's” (Pamina) / No. 17 Dialogue: “Nicht wahr Tamino, ich kann auch schweigen” (Papageno) Wolfgang Amadeus Mozart
05:06
+
11.
Die Zauberflöte, K 620: Act II. No. 18 Chorus: “O Isis und Osiris, welche Wonne!” (Priests) / No. 18 Dialogue: “Prinz, dein Betragen war bis hieher männlich” (Sarastro, Pamina, Tamino) Wolfgang Amadeus Mozart
03:56
+
12.
Die Zauberflöte, K 620: Act II. No. 19 Trio: “Soll ich dich, Teurer, nicht mehr seh'n?” (Pamina, Sarastro, Tamino) Wolfgang Amadeus Mozart
03:32
+
13.
Die Zauberflöte, K 620: Act II. No. 19 Dialogue: “Tamino! Tamino!” (Papageno, Speaker) / No. 20 Aria: “Ein Mädchen oder Weibchen” (Papageno) / No. 20 Dialogue: “Da bin ich schon, mein Engel!” (old woman, Papageno, Speaker) Wolfgang Amadeus Mozart
09:21
+
14.
Die Zauberflöte, K 620: Act II. No. 21 Finale: “Bald prangt, den Morgen zu verkünden” (3 Boys, Pamina) Wolfgang Amadeus Mozart
07:09
+
15.
Die Zauberflöte, K 620: Act II. No. 21 Finale: “Der, welcher wandert diese Straße” (2 Men in Armour, Tamino, Pamina) Wolfgang Amadeus Mozart
05:11
+
16.
Die Zauberflöte, K 620: Act II. No. 21 Finale: “Tamino mein! O welch ein Glück!” (Pamina, Tamino, 2 Men in Armour, chorus) Wolfgang Amadeus Mozart
07:21
+
17.
Die Zauberflöte, K 620: Act II. No. 21 Finale: “Papagena! Papagena! Papagena!” (Papageno, 3 Boys) Wolfgang Amadeus Mozart
06:05
+
18.
Die Zauberflöte, K 620: Act II. No. 21 Finale: “Pa-Pa-Papagena! - Pa-Pa-Papageno!” (Papageno, Papagena) Wolfgang Amadeus Mozart
02:53
+
19.
Die Zauberflöte, K 620: Act II. No. 21 Finale: “Nur stille, stille, stille, stille!” (Manostatos, 3 Ladies, Queen of the Night) / No. 21 Finale: “Die Strahlen der Sonne” (Sarastro, chorus) Wolfgang Amadeus Mozart
04:49
+
20.
Die Zauberflöte, K 620: Curtain Calls and Credits Wolfgang Amadeus Mozart
04:55
+
Disc 64
1.
Opening Nikolaus Harnoncourt ,  Lang Lang
06:25
+
2.
First Day of Recording: Concerto for Piano and Orchestra no. 17 in G major, K 453: I. Allegro Wolfgang Amadeus Mozart ,  Nikolaus Harnoncourt ,  Lang Lang
20:19
+
3.
Second Day of Recording: Concerto for Piano and Orchestra no. 17 in G major, K 453: III. Allegretto - Finale. Presto Wolfgang Amadeus Mozart ,  Nikolaus Harnoncourt ,  Lang Lang
06:55
+
4.
Third Day of Recording: Concerto for Piano and Orchestra no. 24 in C minor, K 591: I. Allegro / II. Larghetto Wolfgang Amadeus Mozart ,  Nikolaus Harnoncourt ,  Lang Lang
10:20
+
5.
Last Day of Recording: Concerto for Piano and Orchestra no. 24 in C minor, K 591: III. Allegretto Wolfgang Amadeus Mozart ,  Nikolaus Harnoncourt ,  Lang Lang
08:00
+
6.
Credits Nikolaus Harnoncourt ,  Lang Lang
00:32
+
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