Terre Thaemlitz is a musician, public speaker, and owner of the Comatonse Recordings record label. Her work critically combines themes of identity politics - including gender, sexuality, class, linguistics, ethnicity and race - with an ongoing critique of the socio-economics of commercial media production. This diversity of themes is matched by Thaemlitz' wide range of production styles, which include electroacoustic computer music, club-oriented deep house, digital jazz, ambient, and computer-composed neo-expressionist piano solos. Graphic design, photography, illustration, text and video also play a part in Thaemlitz' projects.

Activism:
As a speaker and educator on issues of non-essentialist transgenderism and pansexual Queer sexuality, Thaemlitz has participated in panel discussions throughout Europe and Japan, as well as held numerous cross-cultural sensitivity workshops at Tokyo's Uplink Factory, near her current residence in Kawasaki, Japan.
Terre Thaemlitz's Soil and Tranquilizer releases in the early and mid-1990s served to introduce a "political" form of ambient music, continued in later releases such as Couture Cosmetique and Means from an End, which aim to recast the usually passive artist-listener-environment equation. Thaemlitz' colleagues in the political ambient music front include the sound activist group Ultra-red. Following their remixes of Thaemlitz' Still Life with Numerical Analysis in 1998, Ultra-red joined Thaemlitz on the German label Mille Plateaux for their first two albums; Second Nature: An Electroacoustic Pastoral (1999) and Structural Adjustments (2000).